Policy Paper Essay Example | Topics and Well Written Essays - 2000 words

Policy Paper - Essay Example In Texas, two-year old Riley Ann died on the spot when she was supposedly flung to the other side of the room during an â€Å"obedience training session† with her mom and stepfather. (Callebs, S., 2007) According to the mother, the toddler was having difficulty saying â€Å"please† and â€Å"yes, sir†. Obviously, this situation has gone beyond reasonable. Riley Ann’s parents were sent to jail for parricide. In Montreal, Quebec, a 9-year old autistic boy was found lifeless in his classroom on April 17, 2008 due to suffocation from a therapeutic blanket wrapped around his head by his teacher as a punishment for being disruptive. (Glocwood, R., 2009) Corporal punishment for children is not a new thing. It has been practiced even before civilization as we know it. Since ancient times, corporal punishment on children has been recorded in literature, art and science. (Ten Bensel, Rheinberger, Radbill, 1997) In ancient Rome, corporal punishment was seen as both necessary and virtuous: â€Å"Most of the ancient philosophers and law-makers were in favour of flogging children, not only as a means of inducing them to conduct themselves well and tell the truth, but also an aid to education itself† (Scott, G.R., 1951). Even now some people even refer to the Bible which contains phrases such as Proverbs 23:13 that talk about disciplining children: â€Å"Withhold not correction from the child: for it thou beatest him with the rod, he shall not die.† According to early Christian sources, children’s obedience was a necessary element of family life. Didache 4-9 and Barnabas 19-5 warned parents not to withhold corporal punishment from son or daughter but to â€Å"teach [didaxeis] them the fear of God† from their â€Å"youth† (neotetos). (Horn, C. and Martens, J., 2009) For decades the right to punish or discipline children as families saw fit was considered a parental privilege. (Marotz, L., 2009) Different forms of punishment have

Gerome (Napoleon In Egypt) v.s Manet (Gypsy with Cigarette) Term Paper

Gerome (Napoleon In Egypt) v.s Manet (Gypsy with Cigarette) - Term Paper Example Romanticism and Impressionism were among these artistic movements. The paintings of two major painters of these two movements have been taken for discussion in the paper. The first painter is Jean-Leon Gerome from Romantic Movement, and the second painter is Edouard Manet from impressionist movement. The masterpieces of these two painters we have taken are â€Å"Napoleon in Egypt,† and â€Å"Gypsy with Cigarette.† Before discussing the two masterpieces of these painters from two movements, it is necessary to understand the background of these two movements. Keywords: artistic movement, France, romanticism, impressionism, Napoleon in Egypt, Gypsy with Cigarette Romanticism and impressionism: The period of Romanticism has the element of heroism. This heroic element was combined with revolutionary idealism to produce a style. The painting called â€Å"Napoleon in Egypt,† has the qualities of a typical romantic movement painting. Impressionism or impressionist moveme nt started first in France at the end of 19th Century. The major concern of impressionists was the effect of light on an object rather than the exact presentation of the form. Vivid colours were basically used than the dull or dark colours. This movement is also known as optical realism as it focuses on actual visual experience and effect of light and movement on appearance of object. Equation 1Napoleon in Egypt Napoleon in Egypt Middle East and Northern Africa had been the centre of attraction for many artists from romantic era. The artists such as Delacroix, Jean-Leon Gerome (1824–1904), Theodore Chasseriau (1819–1856), Alexandre-Gabriel Decamps (1803–1860), and William Holman Hunt (1827–1910), travelled to the near East such as Egypt, and other Arab countries. Orientalist painting was the popular form of art and painting in the nineteenth century and it was greatly influenced by artists' direct experience of everyday life in Cairo and other Near Easter n cities and settlements. The genre of the painting is associated with heroism. Jean-Leon Gerome was a French painter as well as sculptor. He strongly opposed the movement of impressionism started by Monet and Manet. He continued to cherish and develop the French Neo-classicism. Like other artists in 19th century Jean- Leon Gerome had attracted towards East. Somewhere the superiority complex of the Western painters reflects in their painting. That might be the reason why Gerome has painted the picture of Napoleon as a warrior. Somewhere the painting represents the obsession of imperialism and establishing complete dominance on East. Jean- Leon Gerome belongs to the romantic era of art and sculpture. Some of the major attributes of Romanticism has been represented by the painting of Napoleon in Egypt. The major characteristics of Romanticism are as follows: Nationalism and Exoticism Subjectivity Vivid and passionate artwork Heroism The painting of Napoleon in Egypt has almost all the characteristics of the romantic era. It represents the nationalism as well as exoticism. Nationalism was one of the important vehicles of Romanticism. It was the era of major political changes in France. Napoleon became the inspiration for the painters like Jean- Leon Gerom. The pride of winning the world is reflected on the face of Napoleon which must be the pride of the painter. While painting Napoleon, Jean- Leon Gerome might have been patriotic. It was because Napoleon belonged to the same country where Jean- Leon Gerome was

Commercial real estate- Manhattan Coursework Example | Topics and Well Written Essays - 1750 words

Commercial real estate- Manhattan - Coursework Example Downtown experiences the most rapid growth, followed by Midtown, and finally Uptown (Wheatonm et al., 2009). In addition, Manhattan has the largest and broadest set-up of business improvement districts (BIDS) in New York (Rudder Property, 2013). They are actually considered one of the key drivers for economic revitalization in the commercial property development. We cannot objectively describe the economic drives of Manhattan without considering the commercial real estate of the County (Wheatonm et al., 2009). Other factors are equally important, especially the overwhelming workforce industry, but this particular sector economically overshadows them in many aspects. To put it, the commercial real estate in Manhattan is undisputedly the worlds most stylish and costly real estate industry going the present statistics. In fact, it is the home to the world’s most famous bridges, skyscrapers and parks. The One World Trade Centre, Chrysler Building, Empire State Building and the twin towers are all located in Manhattan (Carlyle, 2014). According to Forbes, the real estate worth of Manhattan as at 2013 exceeded three trillion US dollars (Brennah, 2013). In terms of office space, it is listed as the largest office market in the US (Rudder Property, 2013). Currently, Manhattan is the third most densely populated borough in New York County. With over 1,636,268 inhabitants. This is about a fifth of the population of the City, and 9% of the state (State and County QuickFacts, 2015). In land area, it is the smallest of the five boroughs. One of the reasons why most tall buildings are located in the area is because of the bedrock which underlies much of the borough (Moss & Qung, 2012). People have argued that it is perhaps the preferred locations for skyscrapers due to the unique nature of its bedrock from one town to the other (Wheaton et al., 2009 According to the information provided by the real estate firm Douglas Elliman, commercial real

The film A Streetcar Named Desire from the silent film era through the Essay

The film A Streetcar Named Desire from the silent film era through the 1950s - Essay Example Stella is married to Stanley played by Marlon Brando and they are expecting a child. Stanley and Blanche are the two central characters of this movie. The story gradually becomes interesting as friction begins to develop between Stanley and Blanche. Stanley being an uncouth, randy, sweaty and rough character does not like Stella very much which ultimately leads to immoral and violent depictions in the movie. The movie received a lot of criticism upon its release regarding the vulgarity and decadence depicted in it. Brando’s performance as Stanley is hailed as one the best performances in the history of American cinema. Brando was able to represent the exact nature of Stanley in front of the viewers. Stanley had to be uncouth yet attractive to women and Marlon Brando was just the man for that. This paper will analyze Marlon Brando’s acting skills in this movie. Later on, these skills and tools will be associated with the method acting presented by Uta Hagen in her book R espect for Acting. Stanley wears shirts that reveal his muscles and sweat; he drinks and smokes in a greedy fashion yet he possesses a grace in his personality. He is gentle in his own sense. Brando played this character in very realistic manner. He gave the character true raw emotions. His style in this movie is said to have influenced the Hollywood film industry so much that it inspired many artists such as Sean Penn, Jack Nicholson and James Dean. Before Brando’s performance in this movie, no matter how violent the emotions in acting may be, audience could always spot a hint of modesty in it. Brando left a mark on acting style that was adopted by Hollywood and embraced by the audience immediately. Brando portrayed more than just the violent nature of the character. Every single action of the Brando in this character feels as real as his anger outbursts. Moreover, Brando was able to pull off this role with such delicacy that he left a lot of fragments of Stanley’s pe rsonality for the audience to interpret. There are instances where the audience cannot easily interpret the actions of Stanley because there is no apparent cause for the way he behaves and this makes the audience wonder about the life of the character which ultimately leads to the development of sympathy towards characters. The character shows that it has much more than just his raw violent outbursts and callous behavior (Ebert). Brando sank in this character so well that the audience could not view Stanley and Brando as two different individuals. In fact, Brando himself became the character and was soon associated with Stanley. The charms of his acting can be measured by the fact that the audience started learning to develop sympathy for film characters after this movie. Brando presented Stanley to the audience in a manner that would distress them but this distress is accompanied by enticement. The audience fell in love with a loathsome character. The charm of the character overpow ered them. Brando’s sexual appeal and charms superseded Stanley’s uncouth and rowdy behavior. If we take the audience out of picture, even then it would be hard to separate the two entities as they resolved well together. It seems that Brando did not make any effort playing this character. He was so at ease that it appears Stanley is a part of Brando’s personality. Such realistic acting comes from specific methodologies that involve the resolution of the character and the actor. Unlike the conventional acting of the rest of the cast of the movie, Brando’